TRAP MUSIC: TERRITORY, MUSIC, VIOLENCE

This dissertation delves into the multifaceted world of trap music, exploring its intricate relationship with territory, violence, and social commentary. Moving beyond its captivating sounds and global reach, it uncovers the genre's deeper significance as a cultural text reflecting the realities of marginalized communities. Examining the term "trap" beyond its literal meaning, the dissertation reveals its evolution into a potent symbol. It encompasses the harsh socio-economic realities faced by African-American communities in 1990s Atlanta, embodying both entrapment and agency. As a musical expression, trap music emerges from distinct social realities and artistic landscapes, contrasting with earlier forms of hip-hop. This link between societal and musical development becomes further evident as the dissertation explores the genre's emergence in the late 1990s and early 2010s within the southern United States. Delving into the genre's defining sonic elements, the dissertation analyzes the powerful bass-lines, intricate hi-hat patterns, and atmospheric synthesizers that contribute to its distinct aesthetic. It acknowledges pioneering figures like T.I., Young Jeezy, and Gucci Mane, recognizing their role in shaping the early soundscape and offering raw portrayals of street life. The dissertation acknowledges the evolution of trap music into subgenres like trap-soul and trap-pop, demonstrating its adaptability and ability to connect with diverse audiences. It also further explorate the evolution of trap music into drill music. While acknowledging concerns about potentially negative lyrical themes, the dissertation argues that trap music also offers a platform for marginalized voices and unflinching social commentary. This discussion lays the groundwork for further exploration of the genre's impact on social awareness and potential for positive change. Crucially, the dissertation examines the intricate relationship between trap music, territory, violence, and social commentary. By moving beyond the realm of mere entertainment, it aims to illuminate how trap music serves as a "raw and often controversial lens" through which to examine crucial social issues like systemic oppression and the lived experiences of marginalized communities.