Technology has highly influenced creative processes, to the point that, today, a whole genre can be identified for being constituted by artworks produced and experienced through digital media. Such works – which are generally referred to as digital art – have been challenging the traditional criteria for copyright recognition developed by both international and national legal systems. These include, for instance, the fixation requirement, the idea/expression dichotomy and the very concept of authorship. Against this backdrop, this research aims to provide a wide-ranging examination of the legal implications that digital art may entail, by also presenting some future perspectives for the development of more inclusive copyright systems.
Copyright and Digital Art in International and Comparative Perspectives
BRANCATI, ALICE
2019/2020
Abstract
Technology has highly influenced creative processes, to the point that, today, a whole genre can be identified for being constituted by artworks produced and experienced through digital media. Such works – which are generally referred to as digital art – have been challenging the traditional criteria for copyright recognition developed by both international and national legal systems. These include, for instance, the fixation requirement, the idea/expression dichotomy and the very concept of authorship. Against this backdrop, this research aims to provide a wide-ranging examination of the legal implications that digital art may entail, by also presenting some future perspectives for the development of more inclusive copyright systems.| File | Dimensione | Formato | |
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https://hdl.handle.net/20.500.14240/130556