I Film Come I Fiori d'Estate ---Decodificare Stanley Kwan e Il Suo Stile cinematografico

Stanley Kwan, as one of the directors of Hong Kong Second Wave, is deeply influenced by New Wave in all the aspects of logic ideas, new technologies and creative style, becoming an excellent directors of wenyi film. From his first film Women to the latest one Everlasting Regret, Kwan has formed a unique style in the HK's film circles. His films appeal to all, under the commercialized society like Hong Kong, maintaining humanistic care so that he made all efforts to reach the balance between art and business. This dissertation, from the narrative space, the music, the colors, the details and the images, analyzes the mise-en-scène in the feature films of Stanley Kwan, and presents his special techniques in producing films: the realistic methods, the widening and narrowing of time, the thoughts of ¿watching for images¿, and the poetic quality of Chinese ¿Scholar Film¿. The subject ¿FEMININE ¿is the label of Kwan's work. In his films, he subverted the man's dominant position before, female characters in fact undertake he task of narration and expression of the director's thoughts. However, the feminist film is only a periodic stereotype, not the basic of his whole works, just like his homosexual movies. As a gay, after announcing openly his sexual orientation, the homosexuality becomes a new theme in his film. He broke the taboo of marginalization on homosexual film, focusing directly on the feelings of homosexual group. Along with the success of Lan Yu, he found himself and created a particular way in his art career. In addition, the 97 complex is a character of the generation of Hong Kong people like Stanley Kwan. This dissertation discusses that the HK's popolazione searched for the roots of the city Hong Kong and their feelings of reminiscence. On the one hand, from the history of Hong Kong, till nowadays, in the films of Kwan, the local cultural consciousness has been stimulated; on the other hand, from the description of the looking-glass city------ Shanghai, Kwan presents the history and the development of Hong Kong, Shanghai offers a reminiscent text for the modern metropolis. Renowned cinema critic Tony Rayns, once depicted Stanley Kwan as an angel descending from heaven, aiming at surviving in debris of Hong Kong film industry or in the construction site of Chinese film industry. With his shoes drenched in the mud, he always managed to soar up. Indeed, an overall survey of Kwan's works shows that, rooted in commercialized Hong Kong, he has been sticking to his own style and his own viewpoint to scrutinize the world before his camera.

Stanley Kwan, come uno dei registi della Second Wave di Hong Kong, è profondamente influenzato dalla New Wave in tutti gli aspetti di idee logiche, di nuove tecnologie e di stile creativo, diventando un ottimo regista del film wenyi. Da suo primo film Women a quello più recente Everlasting Regret, Kwan ha formato uno stile unico nei circoli cinematografici.